10 Cloverfield Lane

(2016)

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Title:
10 Cloverfield Lane
Release Date:
10th March 2016
Runtime:
103 min
MPAA Rating:
PG-13
Genres:
Directors:
Dan Trachtenberg
Writers:
Josh Campbell, Matthew Stuecken
Languages:
English
Stream Quality:
1080p / 720p / 480p

Storyline

A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.

Ratings

Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience 80%
IMDb Rating 7.3

Movie Reviews

Reviewed by jesussanchezfdez 11th March, 2016

Powerful and shocking mystery

10 Cloverfield Lane gives all the development and the meaningful story that its blood relative installment lacked completely. This is not a spectacle full of screams and special effects. This is a spectacle of tension and suspense of epic proportions. This is a really feel-bad movie at certain points. First of all, you have to take the leap of faith and go ahead watching without knowing anything of the plot. Don't worry because all the teasers doesn't reveal anything important, but don't try to search information. If everything were that easy, even Hitchcock or Nolan movies would lose all interest. I was extremely hooked since the furious start to the eye popping and surprising finale. The direction is amazing and claustrophobic. The performances are great, looking up to a surprising Winstead and a unrestrained unforgettable turn by Goodman. The story is gleefully unapologetic delivering chills and full blooded twists (the biggest of all is the intense ending reveal) even thought it deviates from the monster POV storyline. Secretly made, impeccably marketed, nicely developed and finally here along with us: 10 Cloverfield Lane promised thrills and delivered it and then some. I was expecting some things that I tasted but I was surprised by a complexity and a twisted sense of horror that I didn't see coming. 2016 has released the very first great movie of the year.

Reviewed by jigsaw-91 10th March, 2016

Much better than the 2008

If this is going to be an anthology or if this is going to be followed by that rumored third installment that has been recently spoiled by J.J. Abrahms, I can say that nobody doubts about the secretly marketed "10 Cloverfield Lane" is a great movie on its own. And a movie that if it were spoiled by someone here or at any review would be cruel. Since the start it reveals to be a movie that doesn't hide an ace, but a hundred. The pace can be a little slow at the first half only to add more and more tension, hooking the audience and introducing them into the movie like they were one of the people inside that bunker. John Goodman will be a real trend the future days thanking its superb performance. He's so twisty, complex developed character. He and Mary Elisabeth Winstead make the movie shine alongside the story. The story is so little, then so game-changer, with twists and turns that are smart rather than empty. It's one of that makes you guess all the time. The ending is more of a bang than a whimper. Even when it succumbs to the action and polemic moves, it will leave you on a grim and high note, pestering for another outing if it's any good like this. If the "Cloverfield" that started it all was about speaking without breath and CGI scares, this "10 Cloverfield Lane" is about deeper intentions, deeper tension and personal stuff that is scarier than a giant monster. While the connection to that movie is not so remarkable until the finale, this installment is so brilliant on its own, so well marketed (without ruining any twist) and so well ended that will surely please any viewer who were looking for a damn good movie. This is a scary movie like the classic ones. Don't miss it.

Reviewed by Sam Murphy (sam_murphy) 9th March, 2016

Powerhouse of a Film

Following 2007's found footage film 'Cloverfield', 10 Cloverfield Lane is produced from the same womb as its predecessor - but is in no way part of the same breed. Most production companies operate under the false ideology that 'bigger is better', however in this instance Paramount Pictures has opted for a smaller scale production – and it is a sensational affair. Vastly superior to its aforementioned predecessor, 10 Cloverfield lane bears little to no resemblance of its half-brother – and this works to its advantage in more ways than one. Firstly, the frantic and scatter shot 'hand-held' found footage technique of the first installment is ditched for more precise and intimate tripod filmed scenes. This makes the film vastly more interesting and more engaging than the chaotic shaky cam that plagued Colverfield. It is almost a breath of fresh air to see a movie that is so thoughtfully filmed. Furthermore, 10 Cloverfield Lane a story that is entirely compelling for the entirety of its runtime – at no stage does it slow down or become uninteresting, and at no stage are there any predictable moments. The dialogue is nothing short of brilliant and keeps you on edge from start to finish, also due to fantastic execution from its cast. The true star of the film however – is John Goodman. In what may just be one of his finest performances in more recent years, Goodman keeps the audiences eyes glued to the screen and keeps you entirely engaged throughout. Cloverfield's acting wasn't at all that great – it was rather average in all honesty – but this film brings something else. Goodman puts on an absolute powerhouse of a performance, and the rest of the cast are brilliant strong as well. Ultimately, Bolstered by an intriguing premise, brilliant performances and ever changing storyline, 10 Cloverfield Lane never becomes boring and never fails to intrigue, and is arguably one of the best Sci-Fi films of the last few years.

Reviewed by brands42 9th March, 2016

10 Cloverfield Lane

Two months ago, no one knew that 10 Cloverfield existed, let alone was about to be wide released in theaters. One month ago, no one had any idea how, if at all, this film was related to the 2008 film Cloverfield except for the obvious title and produced J.J. Abrams. And now, all is revealed. Sort of. Here's my review. One of the greatest things 10 Cloverfield Lane has to offer is that the audience really has no idea what to expect going into the film. Very much in the J.J Abrams way, the production for this film has been left completely under-wraps and the trailers have revealed next to nothing. That's one of the benefits for the movies, so I'm not going to spoil or give anything away in my synopsis or the review. I won't even tell you if this movie is indeed a Cloverfield sequel or if it's something different altogether. You'll have to find out for yourself, because I can tell you right now that you should spend the money to go see it in theaters. I'll be brief. A woman we know very little about named Michelle (Mary Elizabeth Winstead) is involved in a car crash in a breath taking opening credit sequence. She wakes up a few days later to find herself in an underground bunker with Howard (John Goodman), a large and crazed eyed farmer standing above her. He tells her that she can't leave, because some sort of disaster has happened and it's not safe to go outside. Finding herself alone with Howard and another man named Emmett (John Gallagher Jr.), and I'm stealing their tag line here because it's a dang good tag line, they find out that Monsters come in many forms. Obviously I had no idea to expect when I went into 10 Cloverfield Lane. No one did. But within the first five minutes they set the tone so you know what kind of movie they are going for, and I found myself instantly engaged. For the rest of the film, I was floored with what was going on. Director Dan Trachtenberg takes the reigns on creating a film that will hit you with the unexpected, and leave your jaw hanging. The best word I could think of to describe this film while I was watching it was claustrophobic. For the scenes that takes place in the bunker (I'm not saying how much of the screen time that actually is) they create such an intense and nervous atmosphere that you feel yourself getting antsy along with the characters. That's because for almost the whole film, we don't really know what's going on. We know what John Goodman is telling us and leading us to believe, but we have no idea if that's reliable or not. We discover things along with the characters, which is why this film is such a good build up. When the conclusion to the film finally comes, you leave more than satisfied. But don't ruin it for yourself by looking up online spoilers to see if it is a Cloverfield sequel. Spend the money. See the movie. Find out for yourself. It's worth it. I've heard the argument and I've sited it a few times in past reviews, that the best way to bring out great performances in actors is to lock them in a single setting film where they having nothing to hide their performance behind. That's what happens here. Mary Elizabeth Winstead, an actress who deserves to get more work than she does, played the character so well as she captures the nervous ticks without acting completely helpless the whole time. In the end, she was pretty bad-ass. John Gallagher Jr., a character who could have been super annoying, ended up being great in the film too, and had really good chemistry with Mary Elizabeth Winstead. But the stand-out of the film if John Goodman. John Goodman is in so many films every year that we sometimes take him for granted and forget how good of an actor he can be when he's not mailing it in (whatever Hangover film he was in. I forget) but rather commits whole heartedly to a role. That's what happens here. He could have easily over-cooked his performance where it came of as cartoon-y or unrealistic, but he hit just the right level of disturbing and off-putting where you are crept out by the guy but you can't be sure if he's in the right or wrong. It's a performance similar to Joel Edgerton's in The Gift. ALSO just read on IMDb that Bradely Cooper's voice appeared over a cell-phone in one scene. I knew I had heard the voice somewhere but I couldn't put my finger on it until now. At no point of 10 Cloverfield Lane does the film slow down or lose interest. It uses it's hour and forty five minute runtime, a surprisingly long one for this type of film, to achieve the best possible effects. The film flies by and I found myself never wanting it to be over. 10 Cloverfield Lane is a movie you should rush out to the theater to go see. Accept that you know nothing about it going in, and enjoy that experience. Because it's something that doesn't happen often and it's a rare gift when it does. 10 Cloverfield Lane has a lot to offer despite the fact that it's a very small film. In fact, regardless of the fact if they are in the same universe, I'll say I enjoyed 10 Cloverfield Lane more than I enjoyed Cloverfield itself. And I want to see the story continued in a sequel. 10 Cloverfield Lane gets an A-, it's one of my favorite films of 2016 so far. Go see it this weekend. " - brands42

Reviewed by NonSequiturL 9th March, 2016

Great claustrophobic story with fine performances... and a twist

Full disclosure: The year is 2007. A trailer hits cinema screens advertising a mysterious film named "Cloverfield." Nobody knows what it's about, except that it's riding on the wave of the found footage genre, and that it seems to depict a giant monster attack on New York. Speculation immediately breaks out all over the internet, but nowhere more fiercely than on the IMDb forums, with many folks being caught up in the genius viral marketing. I myself was one of those people, along with my wife. Yes, we met on IMDb's Cloverfield forum. She moved from the US to Australia a few years after, we got married, and we've lived together happily ever since. Yes, that is the power of film; it can bring people together in the most unlikely ways possible. So, it's with some excitement that we were blindsided by the brief and vague advertising campaign for 10 Cloverfield Lane. Does it have any connections to the original Cloverfield? What's JJ Abrams playing at here, exactly? Without giving too much away, it's not a direct sequel, but rather a sequel in tone. I'm assuming Abrams is going for an anthology style series here, with each entry being a different story tied together by their themes and science-fiction setting. It's clearly a marketing thing, but if that means we'll get more films like this, I'm certainly okay with it. 10 Cloverfield Lane eschews its predecessor's found-footage trappings, and immerses us in a classic style bottle thriller. The setting is limited and claustrophobic, and the cast small, but the story and tension will grab you and not let up until the end. The nature of the mystery means your opinion will hang very precariously on whether you like that ending, and I suspect it will be divisive. There's not a great deal of resolution, and if I'm correct in assuming this will be an anthology series from now on, I doubt we'll ever get any. But that's fine, because I don't think the story that would follow the film really needs to be told. What matters are the performances. John Goodman is the real draw card here. He gives a stunning turn that is delightful, sympathetic andabsolutely terrifying in equal doses. He's had so many great roles in the past, but he is unforgettable here. Mary Elizabeth Winstead is also very likable as the resourceful protagonist. Perhaps a little too resourceful at times, but for the most part we're with her happily throughout. The film looks fantastic despite the cramped environs, with great use of color and shadow and some interesting cinematography. There are some nice designs and special effects toward the end of the film, even if they may be considered a little derivative. The score is tense and effective, and keeps you on the edge of your seat. In my opinion, the script is great with very little flab, and if you like these kinds of stories which lock characters together in tight, paranoid spaces then you'll find a lot to enjoy here. Just don't go in expecting Cloverfield 2, because this is not it. It's its own beast, and has a brave ending that you'll either love or hate.