La La Land

(2016)

La La Land - Thumbnail
00:00
1:47:07
  • 1080p
  • 720p
  • 480p
Title:
La La Land
Release Date:
1st December 2016
Runtime:
128 min
MPAA Rating:
PG-13
Genres:
Directors:
Damien Chazelle
Writers:
Damien Chazelle
Languages:
English
Stream Quality:
1080p / 720p / 480p

Storyline

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

Ratings

Rotten Tomatoes Critics - Certified Fresh 93%
Rotten Tomatoes Audience 90%
IMDb Rating 8.9

Casts

Amiee Conn as Famous Actress
Emma Stone as Mia
Ryan Gosling as Sebastian
Terry Walters as Linda (Coffee Shop Manager)
Thom Shelton as Coffee Spiller

Movie Reviews

Reviewed by marcus-749-184404 10th October, 2016

My Most Memorable Cinematic Experience Since Star Wars - when I was six

The last time, I felt like this, in a cinema, I was six years old and I was watching Star Wars. I never imagined, I would ever find that feeling again in a cinema. That sense of being transported to another world. The opening sequence took my breath away and I never got it back. Not even at the end - which left my head spinning. It is a beautiful film with soul, wit, charm, style and love. It is simply outrageous! Bold and fantastic and fantastical. I am a straight man but my love for Ryan Gosling could change all that. He's a melancholy genius and Emma Stone is our muse. This film defies genre. It is a masterpiece. I urge you to see it. I was lucky enough to see it at the BFI London Film Festvial. It has been five days since I saw La La Land and I am still thinking about it and singing the haunting refrain that plays with your soul. I mean it gets in there - that music - the music of the firmament. Flying still, dreaming still... thank you Damien.

Reviewed by (gsygsy) 9th October, 2016

Believe the hype

What a great movie! Who would have thought anyone could bring the original screen musical back from the dead? Yet here it is, hale and hearty. The music is melodic but never simplistic; the lyrics are intelligent and intelligible; the script is funny, touching without ever resorting to sentimentality; the two leads are not only skillful but full of a kind of charm that I honestly thought had disappeared entirely from American movies: but here we have Ryan Gosling and Emma Stone just oozing it. The only pebbles in this ocean of inventiveness are some routine dance routines and over-reliance on the device of lights dimming on set to isolate an actor in white light, but that's me being r-e-a-l-l-y picky. It may well be that this is the best musical written directly for the screen since SEVEN BRIDES FOR SEVEN BROTHERS. All credit to writer-director Damien Chazelle and his team - and it really feels like a team-movie - for giving us this gem. Sure it's a feelgood piece, but it creates a world which is complex, it acknowledges alternative outcomes for its characters, it connects with people's passions, and in the case of Ms Stone's big solo, "Audition", it has a bona fide classic.

Reviewed by bartonj2410 8th October, 2016

You'll be toe-tapping from start to finish

You know when you're watching a film that you just don't want to end, and when it does end you feel as if you could watch it all over again right there and then? I had that feeling with La La Land, the new film from Damien Chazelle, who blew us all away with Whiplash a few years ago. With La La Land, Chazelle has made an irresistible musical comedy-drama that serves up a real delight for the eyes and ears. If you haven't heard of this film yet (where have you been?), I'm sure you will do in the coming months. Mia Dolan (Emma Stone) is an aspiring actress serving coffees to film stars while Sebastian Wilder (Ryan Gosling) is a jazz pianist playing a small time bar to make ends meet. The two meet and fall in love but it's their dreams of success that soon threaten to tear them apart. The most striking thing about La La Land is just how beautifully crafted a film it is; the story, performances, music, dance numbers and cinematography all playing their part in making this such an unforgettable cinematic experience. I genuinely can't find one single fault in this film. Chazelle proves yet again just how mature he is for such a young filmmaker, writing and directing such a touching and often funny love story with a meticulous energy. The whole feel of the film is a throwback to the golden age of musicals, a decision a lot of filmmakers would have been too scared to make yet the pay off is massively satisfying. The gorgeous cinematography from Linus Sandgren brings the city of Los Angeles to life, awash with colour, while his swift camera-work, including some impressive long takes, in particular through the dance numbers, immerses the audience right in the middle of this dreamlike musical. Coming to the performances, La La Land features two superb lead performances from Ryan Gosling and Emma Stone, both giving arguably their best performance to date. Gosling has really grown on me as an actor, maturing into one of the best in the business today. He proved earlier this year that he has a knack for comedy in The Nice Guys and he proves it yet again here. Stone always manages to impress me and she is dazzling in La La Land, singing and dancing her way into our hearts. The pair share an undeniable chemistry and I would love to see them both get the recognition they deserve come awards season. Justin Hurwitz's score and the original songs in La La Land, along with the wonderfully choreographed dance sequences, including a great opening number that sets the tone for the rest of the film, heighten the film's level of originality, maintaining that energy Chapelle's films possess. I dare you to try and not fall in love with La La Land. I fell in love with it and I'm sure many more will do so too.

Reviewed by ianzgreat 17th September, 2016

A wonderful and loving ode to the dreamers and artists of the world.

When I first saw the trailer for La La Land my expectations were set high. The excellent cast, the music and an exciting new director/writer were enough to get me in the door. I'm always a bit hesitant when it comes to filmed musicals.. Will it be stagy, stilted and awkward? Not in this case. Damien Chazelle has made a wonderfully cinematic and loving ode to the dreamers and artists of the world. Having lived in LA and worked on both sides of the camera I can relate to much of this film's endearing observations, trials and tribulations; but anyone who's ever yearned for what seems impossible and searched for true love will also easily connect with this film's gargantuan heart. I'm a self proclaimed total movie snob not easily pleased by much of what I see, but La La Land gave me all the feels and more. I cannot recommend this film enough. It's the kind of film you leave and you don't want the buzz, the tickle, the movie-high to end. I can't wait to see it again when it's in wide release. The artist in me is inspired again.

Reviewed by Erik Q ([email protected]) 15th September, 2016

A wonderful film that begs to be watched.

An observatory, a boulevard, a bridge, a downtown trolley, all make up filming locations of the new film "La La Land". These locations are iconic, yet remain unnamed throughout the film. The sum of these locations create the city of Los Angeles. Any meaningful production is a sum of its cast members and in the case of "La La Land" there is no difference. Sebastian (Ryan Gosling) and Mia (Emma Stone) come together to create a wonderful production, but a lesser known yet ever present cast member is the city itself. Throughout the epic musical sequences, the city in its whole is either visible or represented by its historic street lights. Some might argue that the city is a backdrop to the songs and dancing of Sebastian and Mia but the city itself takes center stage with the vibrancy of a leading man. It lends its beauty to be danced upon by Sebastian and Mia without relinquishing its hold as being the center of attention. Mia being a minor actress in Hollywood goes to casting calls where those auditioning look the same. This image of Hollywood conformity lends itself to the character of Sebastian who has to change his performance identity much in the same way Mia has done in order to fit in and make a living in the beast that is Hollywood. With this being said the performances of Mia and Sebastian are one of a kind, lending itself to a sort of fantasy adaptation of falling in love. The imagery of the film stops at nothing to convey the idea of love and the concept of a soulmate, while the business aspects of Hollywood coupled with the necessity of survival keeps the two characters at odds. The film represents a city, a city that often times is at odds with itself; a city that identifies talent based on familiarity rather than the unique and often overlooked aspects that create it. Ultimately "La La Land" is a story about conforming and not conforming and the gains that can be had in between. LA is marketed as the land of dreams, yet is often overlooked and stacked on a pile of dreams that will never come to fruition. The film explores the idea of "what if", and tackles the idea of a working Hollywood versus a Hollywood where the idea of art is paramount. "La La Land" focuses on the idea of money versus art, and shows that nobel aspects of creativity are often ignored to focus on the monetary aspects of the industry while leaving behind the very art that drove them in the first place. The movie is very much paced in the realm of Hollywood where the cadence of the film is action packed with all the fervor of a young person entering Hollywood for the first time, yet as Mia and Sebastian learn the inter-workings of Hollywood the film slows down to reflect the realities that are faced when having to juggle income and art. "La La Land" reignites a fire that has been lost from a Hollywood that is so focused on relaunches and reboots. It's refreshing to see a totally unique film, especially one that grasps the nature of Hollywood and Los Angeles in such an unconventional way. The singing, the dancing and cinematography move in perfect concert to give the appearance of something larger than life. The long musical sequences often border on the surreal, taking the shape of a wonderful dream with dance numbers in the clouds and in the stars. Yet at times the pacing of the film seems to trail off to a point of being boring, this is quickly remedied, but remains an aspect that should be looked at in editing. Watching "La La Land" is like being awake during a wondrous dream, there is something unique and magical about the chemistry between Mia and Sebastian as well as the visuals of Los Angeles that surround them. As he sits at his piano, Sebastian sweetly and softly sings Mia a love song, a powerful couple of lines that represent love, art and life. "City of Stars, are you shining just for me, City of Stars there so much that I can see, Who knows is this the start of something wonderful and new, Or one more dream that I cannot make true." With "La La Land" a dream has come true, and made its way onto the big screen.