Don't Breathe


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Don't Breathe
Release Date:
12th March 2016
88 min
MPAA Rating:
Fede Alvarez
Fede Alvarez, Rodo Sayagues
Stream Quality:
1080p / 720p / 480p


Rocky, a young woman wanting to start a better life for her and her sister, agrees to take part in the robbery of a house owned by a wealthy blind man with her boyfriend Money and their friend Alex. But when the blind man turns out to be a serial killer, the group must find a way to escape his home before they become his newest victims.


Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience 0%
IMDb Rating 8.3


Daniel Zovatto as Money
Emma Bercovici as Diddy
Jane Levy as Rocky
Stephen Lang as The Blind Man

Movie Reviews

Reviewed by Harun Karali 25th August, 2016

Diamond In The Rough

Helmed by Fede Alvarez known for his work on Evil Dead. Don't Breathe is a pleasant surprise, As it doesn't rely on cheap thrills to keep you occupied, Instead the story arc slowly but firmly builds up the tension, enough so, That you become invested in the characters. Rocky decides to move to a new town in hope of a new start but she lacks the resources needed to stay at a new home. So short on time and money she agrees to a seemingly simple job, where they intend to pray on a helpless blind man. However there dream quickly escalates into a nightmare. What separates this from most horror films is; This movie doesn't have a moral compass, Our so called heroes could be seen as the villains just as well, however the punishment they receive is far more cruel then the one they deserve. If you are a fan of horror flicks, Then this is definitely up your alley. As the tension will keep you at the edge of your seat. As for the actors, Stephen Lang stands out as the villain. As his antagonistic nature proves to be a force to be reckoned with.

Reviewed by ctowyi 25th August, 2016

Horror has a new name!

The power of a film's opening establishing shot cannot be under-estimated. If done well it will pull the viewer in and the storytelling becomes an easier job. One of my favourite opening shots hails from Highlander. It has that curious gaze on a scene of mayhem that breathes with unusual counterpoints. It is hypnotising, beguiling, almost surreal, as you try to make sense of it. However I can't say the rest of the film did that clever opening scene any justice. Don't Breathe, on the other hand, has none of these issues. It opens with a scene that feels weirdly out of place but yet has a visceral and realistic quality about it. Questions whizzed through my mind as I silently prayed that the journey of discovery be a rewarding one. It is. Oh my... It fricking is. Uruguayan writer/director Fede Alvarez's debut is a remake of Evil Dead (1981) called.... ahem.... Evil Dead (2013). It is loud, deafening and pours a swimming pool of blood all over you because he thinks more is good. His sophomore effort Don't Breathe is quieter, superbly lo-fi and the scares hit a lot harder. Running at 88 minutes, this is one lean, mean, crackerjack of movie. Nary a scene is wasted. It resembles Netflix's Hush a lot in the sense that it is a home invasion psychological horror film and the homeowner is physically impaired. In the excellent Hush, the female victim is a deaf mute, while in Don't Breathe we get a blind man. But mark this, the similarities end there. Hush is a straight up thriller and we can easily root for the victim and celebrate her clever one-ups against the psychopath. In Don't Breathe we don't get that luxury and our sympathies for each character will sway across the board. There is an air of unpredictability permeating throughout the movie and the tension slowly rams up to dizzying hair-pulling levels. There are some inventive scenes that press the "genre refresh" button and if you have been watching as many of these genre flicks like me, that is something quite rare. The best character here is definitely The Blind Man played devilishly well by Stephen Lang. His dialogue is very spare but when it comes it will send a shiver down your spine. He is feral, doesn't listen to desperate cries of mercy and is a force of primal nature. Being blind means naught to him because he knows the lay of his house like the back of his massive hand. The battleground is his playground. You can go in but you can't get out. At a certain point we discover a sickening secret about him and it is such an uncomfortable eye-popping moment. But yet it is a powerful scene because I started to pity his heartbreaking desperation. Lang has brought his A game and it is a character that will haunt me for a long time. The cinematography is fluid and really brings out the claustrophobic feel of pure terror. Alvarez has delivered a thoroughly satisfying genre horror flick that is definitely not derivative. Evil Dead (2013) is forgotten. Don't Breathe is Alvarez's new first horror film. Horror has a new name. Remember his name.

Reviewed by jdesando 25th August, 2016

Downright scary and inventive.

Almost 50 years ago I was thrilled by Wait Until Dark, a horror film in which a usually demure Audrey Hepburn, playing a recently divorced blind woman, turns the tables on three thugs who invade her home. Today in Don't Breathe the tables are turned a different way: a blind man (Stephen Lang) gives as good as he gets while three young thieves try to rob his home. As for home invasion, Straw Dogs, with no blind motif, left me hoping for more of it all. Set in decaying Detroit, the thieves, Rocky (Jane Levy); Alex (Dylan Minnette); and Money (Daniel Zovatto) are themselves rotten robbers, hitting homes for which Rocky's dad's security business unwittingly supplies the keys. In this blighted neighborhood the blind man is the last holdout, although he's well equipped for trouble with his Vietnam experience, a vicious Rottweiler, and $300,000 to protect. Although nothing scary is outside the purview of the standard horror film, director Fede Alvarez and DP Pedreo Luque take the steadicam to new heights of ingenuity by tracking through the claustrophobic corridors and air ducts along with wounded thieves and the rabid dog. The bird's eye shots outside the house, rather than giving hope for relief, serve well to isolate the proceedings with nary a hope for relief for anyone in the house. The jump scares are standard horror, but somehow they feel new or at least unexpected. Most everyone in Don't Breathe gets a comeuppance, some more deserving than others. A sense of justice pervades the proceedings just like the appropriateness of the decay motif. However I want to spin the themes, even ones that comment obliquely about the war in Vietnam and urban blight, what is most important for the horror genre are scares. You may not breathe during the many scary set pieces, and as you consider their allegorical implications, you'll be glad you had the bejesus scared out of you because that's why you're there.

Reviewed by thedude00 31st March, 2016

Unstoppable tension

After Evil Dead's well-made remake, a lot of us felt that Fede Alvarez was a director to watch. With Don't Breathe, he definitely became a director I'm very excited to see future projects from. I admire his knack to generate tension. After the film kicks off, there is really no stopping. It became almost unbearable at the end, nearly reaching the point of overkill. When you have a thriller filled with so much tension throughout its running time, there's only so much you can do before you start yelling "you gotta be kidding me" at the screen. The cinematography was beautiful and moody and the performances were fine, except maybe Jane Levy, who I felt was too wooden, making her character a little bit unlikable. Don't Breathe was a solid effort and a great addition to the home invasion genre with a little twist.

Reviewed by moviewizguy 17th March, 2016

An incredibly intense thriller

Fede Alvarez just gave Green Room a run for its money with Don't Breathe, an incredibly intense film and glorious exercise in suspense. It's one of the best studio-produced thrillers I've seen in years. The premise is simple: A group of teens plans to break into a blind man's house to steal his money. Only thing, the old man is more adept than they realize. While the setup is a little too pedestrian, albeit economical, once the story gets rolling, the film doesn't let up, running at a lean 88 minutes. Other than that, Don't Breathe is best viewed going in knowing as little as possible. This is Alvarez's first film in three years since his violent and solid remake of Evil Dead, and it is with this sophomoric debut that solidifies the genre filmmaker as someone with obvious talent. Inspirations are drawn from the best - Hitchcock, Fincher, and Wait Until Dark are a few - but Alvarez provides his own unique vision that truly makes the film his own. Like the masters before him, Don't Breathe is purely cinematic, relying less on dialogue and more on visual storytelling and sound to drive the film. The cinematography is amazing as well as the creative sound design, so much so they are characters within the film themselves. The cast, while small, is great too, including Jane Levy, who can pretty much be titled this generation's scream queen after this and Evil Dead. Dylan Minnette is good in his role as well, providing enough sympathy for his character. Both young actors are put through hell, and their physical performances sell their tumultuous ordeal convincingly. However, it is Stephen Lang who is the film's shining beacon. As the antagonist, Lang is instantly memorable and frightening, an intimidating force that permeates throughout the film even in scenes without his presence. If there's one gripe about the film, there's a plot twist that doesn't quite work, but that itself is a minor complaint compared to the many things the film gets right and does so well. I won't say more. Don't Breathe is a technical achievement, the rare studio film that actually pushes what film can do as a medium. However, like with Green Room, try not to get caught up in the hype, even with my glowing review. Set your expectations appropriately, and remember to avoid watching the trailer.