Dunkirk - Thumbnail
  • 1080p
  • 720p
  • 480p
Release Date:
19th July 2017
107 min
MPAA Rating:
Christopher Nolan
Christopher Nolan
Stream Quality:
1080p / 720p / 480p


Evacuation of Allied soldiers from Belgium, the British Empire, Canada, and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 26- June 04, 1940, during Battle of France in World War II.


Rotten Tomatoes Critics - Certified Fresh 95%
Rotten Tomatoes Audience 0%
IMDb Rating 9.2


Aneurin Barnard as Gibson
Damien Bonnard as French Soldier
James Bloor as Irate Soldier
Lee Armstrong as Grenadier

Movie Reviews

Reviewed by Dp003 17th July, 2017

Another hit from Nolan...

For the majority of his career Christopher Nolan has thrived in surrealism, whether it be focusing on caped crusaders or unchartered space missions. So it's intriguing to see him return to a narrative steeped in realism, and grounded by its commitment to real life occurrences. The results are staggeringly impressive too, while the talented filmmaker maintains his creative sensibilities, crafting a war movie that feels distinctively his.When thinking about war films, it's very hard not to go straight to the classics such as Apocalypse Now, Platoon or Saving Private Ryan.You have to make something very special to be mentioned in the same sentence as films like those. "Dunkirk" tells the story of a group of allied soldiers from Belgium, France, and the British Empire. When they find themselves surrounded by the Germany army on the beaches of Dunkirk, the film follows the story of the evacuation of 400,000 during the early stages of World War II.boasting an incredible cast, Christopher Nolan allows his players to internalize the fear and emotion, and allow them to express it in the most aromatic and penetrating demeanor's. As Tommy, Fionn Whitehead makes an astounding mark in his feature film debut. With no true lead in the movie, his point of view is often a crutch for the audience to rest upon, as his internalization of the character is one of the film's most pivotal high points.It is gripping from its very opening moments, in which we see soldiers getting picked off by invisible snipers in the middle of the titular town as propaganda flyers shower from overhead, announcing to the British, French, Canadian, Belgian and Dutch troops that they are hopelessly penned in by the Germans. The evacuation took days, and combined large ships taking people off the Mole with small requisitioned commercial vessels collecting soldiers from the shallows. All the time, the troops subject to aerial assault on the beach and in the water, and the risk of being torpedoes once aboard. The scale of the battle was thus immense - with the RAF flying 3,500 sorties and engaging the Luftwaffe in dogfights away from the beach (hence many soldiers wondering where they were) - 36 Royal Navy destroyers ferrying men home as well as the Small Ships flotilla - and c340,000 soldiers ultimately evacuated. It was both a great military failure and a success - because as humiliating as the lost Battle of France was, it enabled Britain to survive to fight on with its men and materiel largely intact. We are in the early months of World War Two. Ignoring captured intelligence to German plans, French, Canadian and British and other allied troops have been lured into Belgium by a German feint and have now been encircled and driven back to the French coast. Roughly 340,000 men - the principal strength of the British army - crowded the beach at Dunkirk - a port protected by a mole, or sea wall, from which they could board the large vessels sent to ferry them back across the English channel. In doing so, they were hugely aided by the French forces tangling up the German troops sent to cut them off at the Siege of Lille. They were also hugely aided by Hitler's inexplicable decision to order the Luftwaffe not to pursue the troops. Christopher Nolan makes the decision to avoid all of this explanation, and to give us a Dunkirk that focuses on the personal experiences of the war by land, sea and air. These theaters are inter-cut but take place along different time-scales. The land evacuation takes place over the week, although frankly days merge into each other and I couldn't keep track. The sea rescue takes place over a day and the RAF dogfight takes place over an hour, roughly corresponding to a Spitfire's fuel limit. The sea battle is also done very well from a technical perspective. We get a sense of the claustrophobia of being aboard ship, the shell-shock and the terror of a watery death, especially when combined with lit gasoline. I thought the acting was by far the best in this segment. I very much liked Mark Rylance's quiet earnestness as a civilian sailor sailing to Dunkirk with his son - the quiet communication between the two of them with glances - the profound sympathy toward Cillian Murphy's traumatised rescued RAF pilot. And the scene of soldiers drowning under a fiery sea is one of the most memorable and rightly horrific in the film Dunkirk is edge of your seat filmmaking that's fully realized in IMAX. Can honestly say I've never seen anything like it. See this in IMAX! A lot of people were wondering about Harry_styles & unknown cast. They're all great but Dunkirk is not about any one solider. Also 'Dunkirk' is another brilliant collaboration between Nolan & HansZimmer. The way he mixes in a ticking clock with score is nail biting. Truly thrilling from first to last second. A heartbreaking, heart-pounding, nail-biting offering. Nolan fans, rejoice. DUNKIRK relies on v little dialogue.We all know what happened on that beach, but Nolan's take is worth visiting. Yes, DUNKIRK relies heavily on sound of an increasingly fast ticking clock to build suspense. It may be a cheap trick, but it's effective .Oscar pedigree is too much to ignore. Director Christopher Nolan's World War II epic Dunkirk features Academy Award winner Mark Rylance as an ordinary man showing uncommon courage under fire, and Oscar nominees Tom Hardy and Kenneth Branagh (as, respectively, a fighter pilot and a Naval commander). The score is by Hans Zimmer, a 10- time Oscar nominee with one win. Then there's the thrice Oscar-nominated Nolan himself. Overall it's a great adventure just go for it.

Reviewed by uhsheen 17th July, 2017

This movie was so rich, so detailed and so profoundly moving that it's hard to put it into words. Christopher Nolan is back and he's here to show us what a master can create.

This review will be mostly spoiler free but I don't want to be banned so I clicked it just to be safe.. The basic plot revolves around the 450,000 odd British soldiers trapped in Dunkirk, France as the German troops close in. They don't close in on foot though, instead opting to pick the trapped soldiers off from the air and sea. This movie isn't a propaganda piece touting the glory of British resilience; most of the movie is just young men trying to survive, petrified for their own lives. The threat is ever present, there was a wonderful sense of tension throughout the entire movie. You really felt the cinema shake as the German planes closed in on the soldiers and let loose their bombs and you can feel the thick fog of fear. The enemy in this movie is very interesting because you never actually see a German face. The enemy is just a looming threat and comes in the shape of torpedo attacks and bombs from planes. I read that Nolan spent a lot of time studying silent films and how they built tension which is pulled off masterfully in this movie. Like the movie Gravity once this movie begins there is no down time, they are constantly being attacked in one way or another. The casting for this movie was absolutely superb. Our very own Barry Keoghan had a short role that I would liked to have seen fleshed out more but he pulled it off very well. Cillian Murphy was wonderful as always and played the role of a shell shocked soldier. Mark Rylance stole the show for me and put on a stellar performance as the father who is doing his duty to his country. His bravery never fades. Fionn Whitehead and Aneurin Barnard were excellent choices and I liked how Nolan chose largely unknown and inexperienced actors to mimic how young and inexperienced the soldiers really were during the war. When I heard that Harry Styles was in this movie I figured that it was just a clever ploy to pull in more ticket sales but I absolutely stand corrected. He put on an authentic, honest performance that was very impressive. There's a great scene in a boat where you see how he is affected by desperation and sheer terror that really sold it for me, his performance was extremely consistent. Tom Hardy is a chameleon... Any role he plays he is completely dedicated and immersed and you can't peel your eyes away from him. He has some of the most nail biting scenes and his scenes toward the end of the movie were very emotional and moving. Strangely enough some parts of the movie felt like watching old WW2 footage; it was grainy and real. This movie didn't rely on CGI, it was gritty and honest and beautifully shot. You really can't talk about a Christopher Nolan without talking about Hans Zimmer and the soundtrack. There were some scenes that were reminiscent of the docking scene in Interstellar because the music flowed so well with each scene that it evoked a sense of urgency and intensity. This is a phenomenal soundtrack. The movie starts to a ticking clock and it's only a matter of time until time runs out. There is very little dialogue in this movie but it isn't missed at all. This movie is an emotional power horse. I was genuinely moved a couple of times throughout it and it's one that will stay in my head for a long time. THE GOOD: Casting was perfect, the lesser known actors held their own weight against some of the veterans. The cinematography was fantastic, you really felt completely immersed in the movie. Hans Zimmer's score was Oscar-worthy. The movie will leave you on the edge of your seat throughout. THE BAD: The story line is not always linear which was confusing. Dialogue was sometimes hard to hear (but not necessary) _______ Dunkirk is a fantastic movie, it's as simple as that. This should be the standard of movie that other directors should attain to achieve and here Nolan proves that he is one of the greatest directors of all time. The acting is superb and the entire movie is a treat for the eyes and ears. Don't miss out on seeing this in a cinema.

Reviewed by Brandon Robinson 17th July, 2017

Nolan may have earned himself some high accolades come Oscar season

No reviewer was lying when they said see this in 70mm IMAX (full disclosure, I saw this on a regular screen). In my opinion, it necessitates it. I can just "tell" from what I saw. The aerial shots alone would provide good reasoning for it, but the sound that those theaters provide with the big picture in front of you will captivate you exactly the right way. This isn't a social kind of film, and it certainly isn't popcorn entertainment. Not a summer blockbuster at all. This film's scope feels very small, even though it carries epic tones within. Nolan really broke a lot of traditional film conventions with this, and I think that exact kind of ambition is what makes this movie work for a more general audience. I somewhat think audience members need to know what they're getting into beforehand to be accepting of that fact, but once they are I think they will be just fine. On a technical level, I think this is Nolan's best yet. The Prestige still might get higher honors simply because of the more demanding writing that is involved, but given what Nolan intended to do, this nearly screams "perfection." Did he try and go for an R-rating? No. Did that matter? Not even close. Did he try and provide massive amounts of character development? No. Did that matter? Depends on who you talk to. I could honestly say that if there were two cuts of this film—an extended cut that develops the characters and this one—you could give us the option and we would find the one we enjoy more depending on what we're looking for. Did he look to vilify the Germans to the point of controversy? No. Did that matter? It didn't, but only one part does stick out for me (the "one flaw" that Nolan often has trouble with in his writing) and I'll get back to that in a moment. "Harrowing" is easily my favorite word to describe Dunkirk. This is a survival film, and that's all it is. He put us on the beach, on the sea, and in the air. He gave the characters a want and will to live with an impending threat for which we understand its consequence, without need of showing thousands of deaths or lots of blood. When one moment of attempted survival ends, another one begins without warning. That doesn't mean the film is relentless action, but it certainly is relentless tension, if for no other reason than Hans Zimmer's score. I'm telling you right now, his score is my favorite part of the film. It's actually mostly a quiet kind of score, but it is frightening and works with the film so very well. Nolan has had a lot of trouble doing "show, not tell" in his past films. This time he has learned a lot, not letting the actors expose everything (acting was fine all around, by the way... not much to say about it honestly, as it's not the film's high point). I did not feel the presence of the surrounding enemies, though. If the film didn't tell us about it, I probably wouldn't have felt the pressure of getting off that beach sooner than later. Hearing the planes incoming was always scary of course, but as we only had the British perspective and a week-long time line at most, there simply wasn't a chance of feeling time cave in on them. This to me is this film's only real flaw. That being said, the only real limitation that holds this film back is that it's based in reality, which means that we are already aware of the outcome. I think for this particular story it's fine, because it's not one specific moment that lets us breathe again... so letting it play out the way that it did is okay with me. I do not think this will go over with people who come in completely uneducated about Dunkirk. I made a mistake in stating that I wanted this film to educate me on the evacuation story. I think I'd rather have learned about it first and then seen the film, kind of like seeing United 93 after having lived 9/11 (not totally, but I was at least cognizant of all that transpired). That doesn't mean to research the film itself, but rather just the historical event. I do hope that Nolan goes back to fictional work after this. Here was an awesome deviation from the norm that he chose to do, and he went out in grand style. I could have used a longer film with fleshed out character development, but this film also works as well especially in the month of July. I see this receiving many Oscar nominations such as score, editing, cinematography, visual effects, etc... I do not see any acting or writing awards... and yes, I see a director nomination as well. If the academy believes some of those earn him victories, then god damn it give him his Best Picture Oscar as well. I can't really yet rank this film with his other films, because it's just so different. I don't see too many of the Inception parallels here. Every film of his outside of Insomnia either does nonlinear or intertwining storytelling, but this one is without the cleverness involved in the script. It's just playing things out as they do. Survive. So to revisit, I believe this may be his best work yet, even if I don't know if it's my favorite of his. I really just want to put this in another category from other films entirely, in which case it's my favorite of "that kind of film." My heart is still pounding from this film. I simply cannot wait to see this in 70mm IMAX on Thursday.

Reviewed by somf 17th July, 2017

Micro as opposed to macro version of the battle

Saw an early screening tonight in Denver. I don't know where to begin. So I will start at the weakest link. The acting. Still great, but any passable actor could have been given any of the major roles and done a great job. I know almost no more about the battle of Dunkirk after seeing the film than I did before, and I am not exactly a WWII historian. Truth be told, I learned all I know about the battle of Dunkirk from the movie poster. Does that weaken the film? Hell no, this is a film about survival. The opening scene tells it all and sets the stage as we get our first glimpse into a young soldier's need to stay alive, and his creative attempts to do so. That actor may even be considered the main character of the film. More words have been written so far in this review than he speaks. And I have no clue who the actor in that role is. It is humorous that Tom Hardy looks like Bane through most the film in the role of a pilot wearing an oxygen mask throughout. Kenneth Branagh is the only officer with any lines in the film, so that should give you an idea of the POV that we experience. We are the enlisted man trying to find a way to stay alive in a chaotic and harrowing battle. Though I believe Dunkirk will win every single technical Oscar, I would be surprised if it has any acting nominations at all. How does Nolan elevate this above other films of a similar nature? I think he says it best himself, when he describes Dunkirk as a thriller more than a war film. He pulls that off superbly. When a ship starts to take in water as numerous bullets penetrate its hull, I wanted to jump out of my seat and cover up the holes myself. The film has three separate stories that are titled Mole, Sea and Air. And we all know where Moles live. The way the narratives of the three stories unfold and how they are all tied together is what makes the film a masterpiece. Much has been said about Nolan using IMAX film cameras and how the film is enriched by this. I don't know. I doubt I saw actual film being projected at my screening. Every frame looked terrific though. So what is the most superlative aspect of the film? Gotta be the soundtrack. Hans Zimmer will win the Oscar for this without a doubt. So , so brilliant. This is not a soundtrack that I would buy at the store and play on my stereo. This is a soundtrack that weaves throughout the three narratives seamlessly and creates this phenomenal sense of tension. There are times when a two or three minute tense orchestral passage plays continuously as the story shifts from the ground to the sea then to the air and the music draws the three stories together. Zimmer's soundtrack reminds me of the way that Bernard Hermann's work was so vitally important in building suspense in most Hitchcock films. Though that description almost sells Zimmer short. His soundtrack is that good. I don't think this is a film that will retain even half of its strength in your home theater. No folks, this is a film that you cough up for an overpriced IMAX ticket and rationalize it by knowing that experiencing Dunkirk in any other fashion will just not cut it.

Reviewed by Robyn Colley 16th July, 2017

A Must See.

What a Brilliant movie. We saw this on the night of the World Premiere, intense and packed full of fabulous acting... The camera shots were absolutely spot on, and you couldn't look away for a second without missing a perfect scene. The entire score, coupled with the dialogue and videography made this film and I cannot wait to see it again.