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Release Date:
27th October 2017
104 min
MPAA Rating:
George Clooney
Ethan Coen, Joel Coen
Stream Quality:
1080p / 720p / 480p


A crime mystery set in the quiet family town of Suburbicon during the 1950s, where the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge, and murder.


Rotten Tomatoes Critics - Certified Fresh 25%
Rotten Tomatoes Audience 24%
IMDb Rating 4.6


Gavin Wilde as Cowboy Kid
Hope Banks as Mrs. Pendelton
Karimah Westbrook as Mrs. Mayers
Landon Gordon as Kid on Bike
Steve Monroe as Mailman Henry

Movie Reviews

Reviewed by glavonnetay 27th October, 2017

Deeply Disappointing

Full of unresolved conflicts and senseless scenarios. Drags along with no payoff on any level. One of the main issues throughout this movie was never hinted at in previews I saw. Had I known this topic would be so pervasive, I'd had never considered seeing this movie. Potential for a good movie was lost by failure to bother tying in, resolving, explaining, or reconciling any of the multiple story-lines. I could find no redeeming qualities in this movie. Moreover, it's an unforgivable waste of Matt Damon, Julianne Moore, and my time.

Reviewed by nathan-52521 27th October, 2017

Horrible, awful movie

Wow, this movie is some kind of horrible ode to social justice warrior wannabees everywhere. It was full of ridiculous race baiting and made very little sense. It even had a scene with a confederate flag in it... *face palm* I'm surprised it didn't cameo members of Antifa. This film was total tripe; avoid at all costs.

Reviewed by chris akin 24th October, 2017

Glad the ticket was free, wish I got paid to endure it though.

OK, I just got out of the advanced screening of this movie, I saw the IMDb ratings drop a few points in the time it took me to drive home. I can't blame the voters. In fact, as we were leaving the staff asked if we had any comments about the movie, I winced as if in pain, my buddy was perplexed, and the guy in front of us said and I quote, "Don't make a part two." This movie should not hit theaters, maybe go to cable t.v. On a boring Tuesday night when nothing else is on. Now, I put the spoiler warning and I bet you are wondering what the movie was about. Well, that is how you feel in the movie. The plot takes forever to kick in. The quick run through, 1950's/60's suburbia (can catch that in the name) black family moves in the town. Town goes in an uproar, someone breaks into Matt Damon's house kills his wife. Yes, there is zero correlation between the black family moving in and Matt Damon's wife getting murdered. In fact, you watch the movie and you will see the black family actually plays no significant part in the movie, they are just there for filler and to politicize the movie. So now the wife is dead and you are wondering why. You actually spent the first half of the movie wondering why. Spoiler, life insurance scam. Matt falls in love with his wife's sister, Matt hires hit-man, hit- man kill wife, Now the hit-man want their money, the life insurance company sees through the scam. People start dying, and the credits begin rolling. You have no connection to the characters on the screen, you try to feel bad for the kid in the movie, but he is so emotionless you can't really feel bad for him. It makes it even more difficult to feel bad when your brain is confused because the writers/actors/director can't decide if they want the movie to be funny or serious. In fact the only person I thought was even remotely interesting was Uncle Mitch, but he only has about 2 minutes of screen time. If I could speed summarize this movie, I would almost want to call it a murder mystery with a men who stare at goats twist, but it doesn't really click with whatever this movie was. Rated 2 because the acting was decent at least.

Reviewed by KJ Proulx 25th September, 2017

A Clash Of Too Many Tones

I'm all for unique and different when it comes to filmmaking, but when a unique film doesn't do anything to intrigue its audience, aside from a consistent tone and setting, then it's not really all that impressive in the end. Suburbicon is George Clooney's latest attempt at direction, and I feel pretty much the same about this film as I did about many of his other works. A tone, story, and time period is all set up, but the way each of his films play out have seemed to leave a lot to be desired in my opinion. That is once again the case with Suburbicon, being a little too confident in itself when it came to presenting a powerful story. Here is why I think you could probably skip this one in theatres, but the effort put into it may warrant a rental if you're looking for something new to watch. Gardner's family is tested when a group of men invade his home, killing his wife and leaving only his son and sister-in-law alive. Falling for his wife's sister and becoming a complete psychotic and uncontrollable man, this film quickly spirals out of control into a farce of random occurrences. Throughout the first act of this film, it seems like it's going to be a satire that won't hold anything back in terms of wackiness, but that's very quickly thrown out the window, compensating with many subplots of murder and conspiracy. I found myself taken out of the film when the tone would shift this often, making for a very off-putting viewing experience. Throughout the majority of this film, you're asked to accept the horrible things that the main characters are doing, or just connect with Gardner's young boy on an emotional level, but he's not quite present enough in my opinion. Not until the third act do you really fin yourself caring about some of the characters, which was too late for me. This movie tries far too hard to be clever, funny, and surprising, that it just comes off as forced more often than not. You will find yourself along for a ride of random events and you won't really know who to root for. I may seem to be ripping this film apart for being un even, but for throughout all its flaws, there are actually quite a few great aspects, especially the sequence involving an appearance by Oscar Isaac. There is a lengthy scene when secrets are revealed and characters begin to evolve and Oscar Isaac elevated every moment of this portion of the film. Up until that point, there really weren't any characters to grasp onto, but the environment around them, along with the sets and the score, always helped to make the film feel more authentic than what its screenplay was presenting. This may sound confusing, but that's due to the fact that this is a very confusing watch, and I feel that many people will agree with me on that account. From being written by Joel and Ethan Coen (who's recent track record hasn't really impressed me recently), to being competently directed by George Clooney, to having racial undertones to help give the film depth, to showcasing some great moments of comedy, Suburbicon just feels like a huge missed opportunity, due to the talent involved. Matt Damon and Julianne Moore deliver solid performances here and the score by Alexandre Desplat is definitely what sucked me into this movie, even throughout the moments that annoyed me. In the end, I feel as though the positives slightly outweigh the negatives, so I can generously give it a pass. This is about as average as you can get in terms of having a clever setting and premise, only to never fully deliver on either front. Suburbicon isn't quite worth seeing in theatres, but it may please hardcore fans of the Coen brother's past work.

Reviewed by trublu215 14th September, 2017

This Was Just Not Good

I'm a huge fan of the Coen Brothers. To me, cinema doesn't get much better than No Country for Old Men or Burn After Reading or Raising get the idea. So when I heard that George Clooney was directing their next original script, naturally I couldn't wait to see it. Fast track a year and a half later and here we are. Clooney proved to me that it takes much more than a Coen Bros script to make it a Coen Bros film. Suburbicon is one of the few films that will come about where the talent attached to the project is so overwhelming and plentiful but the final product is so mediocre and bordering on bad that it leaves you scratching your head. The film is very beautiful to start off. The cinematography is very crisp and extremely colorful which makes the setting of the 50s suburbs seemingly pop even more so. The production design and basically anything of a technical aspect is amazingly done here by traditional standards. So why is Suburbicon falling flat? Very simple: Clooney is woefully unqualified to direct a Coen Bros script as are most people. This feels like it was made by someone who watched Fargo and Burn After Reading a dozen times and decided to make this. It feels like it is an imitation and, by the end of the film, that is all it turns out to be. The cast is even really dull despite a fantastic performance from Julianne Moore. Damon can't decide whether to play it funny or serious and that really plays a big part in the violence of the film. It is comically set up but brutally executed. It doesn't feel right at all and it makes for a very tough watch. Overall, Suburbicon is a film that will probably leave your mind as quickly as it came. It is a very forgettable film. It is a frustrating piece of cinema as well because we will always be left with the thoughts of what could have been. With the level of talent and star power, Suburbicon has no business being as dull and ragged as it is especially because in a technical sense, the film is great. But with Clooney's misguided direction and Matt Damon's very erratic performance, Suburbicon is a miss of the most disappointing fashion.