Table 19


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Table 19
Release Date:
20th January 2017
87 min
MPAA Rating:
Jeffrey Blitz
Jay Duplass, Mark Duplass
Stream Quality:
1080p / 720p / 480p


Ex-maid of honor Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend's wedding anyway. She finds herself seated at the 'random' table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets (but not before sending something nice off the registry). As everyone's secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships - and even a little romance - can happen under the most unlikely circumstances.


Rotten Tomatoes Critics - Certified Fresh 20%
Rotten Tomatoes Audience 55%
IMDb Rating 5.9


Anna Kendrick as Eloise McGarry
Charles Green as Mr. Manny
Craig Robinson as Jerry Kepp
Lisa Kudrow as Bina Kepp
Rya Meyers as Francie Millner

Movie Reviews

Reviewed by boblipton 5th March, 2017

The View from the Cheap Seats

This movie is what you'd get if you took Robert Altman's A WEDDING, crossed it with a romantic comedy and took the characters from the people at the lowest-ranked table: people who, as Anna Kendrick's character asserts," should have had the sense to 'Decline with Regret' after choosing a gift from the registry." The characters include Miss Kendrick, the ex-maid of honor and ex-girlfriend of the bride's brother/groom's best man; Lisa Kudrow & Craig Robinson, a married couple with a distant business relationship with the bride's father; Tony Revoloro, a teenager who has been invited for no clear reason and shown up on the grounds of plot convenience; June Squibb, the bride's ex-nanny and Oscar nominee; and a storklike Stephen Merchant, who comes from a halfway house of some description. Together, they will reveal their problems, come together, engage in comedy of humiliation. It's a pleasant, low-key comedy. While no ground-breaker, there are enough funny moments and it avoids the Big Moment which typically ends these moves and cements the romance, causing me to leave the theater remarking "I give them three weeks." Miss Squibb and Mr. Merchant offer the most amusing turns. It will also probably flop and be forgotten. Miss Kendrick's sequel to 50 SHADES OF GREY opened to bad numbers and is largely gone by now. The appearance of this movie in theaters three weeks later argues they intended to piggyback onto the success they anticipated. Instead, it tanked and this got the called-for wide release, but since the failure was "obviously" Miss Kendrick's fault, there was no major campaign for this movie. This will confirm to the suits that it's all Miss Kendrick's fault. Her career will go into eclipse. I hope to see it emerge from darkness; she is a very engaging actress.

Reviewed by doom_2145 4th March, 2017

Bring back the IMDb Message Boards

The Message Boards were one of the main reasons we all used IMDb. We can still look for data, but in time, it'll be pointless to keep coming here: without the message boards, we will go to Wikipedia and other websites to get the information that we're looking for. IMDb member for 12 years here and a supporter of free expression. Hate and trolling comments should be treated as it always have been, by moderators. Besides that, IMDb Message Boards always was a place to go for good discussion and reasoned debate. Make a point to the admins. We want the Message Boards back. Write reviews looping the message. BRING THEM BACK!

Reviewed by David Ferguson ([email protected]) 2nd March, 2017

Team Rejects

Greetings again from the darkness. Writer/director Jeffrey Blitz (Spellbound) takes the approach that many wedding guests would prefer – he skips the wedding and heads straight to the reception. Another wise move by the filmmaker is assembling a very talented ensemble of funny folks. This cast proves they can wring a laugh from dialogue and moments that would probably otherwise not elicit much of an audience reaction. Instead, the full house on this evening had quite boisterous responses on numerous occasions. The initial set-up drags a bit as we are introduced to the characters that will soon enough populate Table 19 at the reception. Tony Revolori (The Grand Budapest Hotel bellhop) is Renzo, the longing for love (or anything similar) high schooler who might be a bit too close to his mother (voiced by the great Margo Martindale). Lisa Kudrow and Craig Robinson are the Kepp's, a mostly unhappily married couple who own and run a diner together. June Squibb is Jo, the bride's long-forgotten nanny who sees and knows more than most. Stephen Merchant plays the outcast nephew/cousin who has been recently released from his prison sentence for white collar crime. Lastly we have Anna Kendrick as Eloise, the fired maid of honor and former girlfriend of the bride's brother (Wyatt Russell), who also happens to be the best man and now dating the new maid of honor. This is the island of misfit wedding guests known as Table 19, and purposefully placed in the back corner as far as possible from the family and favored guests. Of course we know immediately that this Team Reject will unite for some uplifting purpose at some point, and the movie improves immediately once that goal has been revealed. Comedic timing in a group setting can often come across on screen as forced, and it's a tribute to the cast that these characters come across as human and real. Make no mistake though, this is Anna Kendrick's movie. She plays Eloise as we would imagine Anna Kendrick in this real life situation. Sure, a wedding reception is low-hanging fruit for comedy, but it's the third act where Ms. Kendrick's talent really shines. Comedy drawn from emotional pain is the most fulfilling because we've all been there. The melodrama that creeps in is pretty predictable, but that doesn't mean it's not a good time. The scenes with Ms. Kendrick and Wyatt Russell (Everybody Wants Some!, and Kurt and Goldie's son) are the best, and it leaves us wishing for more attention to both. Don't worry, the film features the required wedding cake mishap, a flirtatious wedding crasher (Thomas Cocquerel) and a drunken mother of the bride singing karaoke to Etta James' "At Last". It's designed to be a crowd-pleaser, and mostly succeeds with a nice blend of silly, cute, and emotional tugs.

Reviewed by jdesando 2nd March, 2017

It's not the worst comedy, just close.

The Duplass brothers, writers of the comedy Table 19, have always had a dry sense of humor (Cyrus, Jeff Who Lives at Home); here they make you parched with slow dialogue from lack of wit. Yet along the way their story is laced with heart no more evident than the warm misfits placed at the wedding's most dismissible table. Heading the notoriously neglected is Eloise (Anna Kendrick), the former bridesmaid jettisoned by the bride's brother before the ceremony. However, plucky El goes to the reception to confront her ex, support her oldest friend, and eventually meet charming table mates who spend some time upstairs smoking weed. The heart manifests itself in gentle Walter (Stephan Merchant), who is on release from prison; diminutive romantic Renzo (Tony Revolori), who just wants to "get laid"; Jerry (Craig Robinson) and Bina Kepp (Lisa Kudrow), who need marriage counseling and a better reason for their roles being in a comedy; and Jo (June Squibb), whose pot they are using and whose post as a former nanny gives her license to drag out the usual old-person's philosophy. Because these stereotypical outsiders are so lovable, the audience, who clapped at the end, seemed to forgive them for the flat dialogue and laughed mostly at their gratuitous pratfalls. In the end, nothing was worthy of the belly laughs found in Wedding Crashers or Bridesmaids. It's the dumping ground time of year for movies, and Table 19 fits the profile of a mediocre film thrown out at the beginning of the year because the suits don't want to chew up valuable space as the year progresses Yet, that heart—you do feel affection for the eccentric characters and pity they have so little to say. Come to think of it, they are the victims of banal writing and as characters deserve to be at the infamous holding pen for undesirables, a bit like immigrants caught in political maneuvering. Table 19 is not the worst comedy to be released at this time of year.