The Hateful Eight


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The Hateful Eight
Release Date:
25th December 2015
167 min
MPAA Rating:
Quentin Tarantino
Quentin Tarantino
English, Spanish
Stream Quality:
1080p / 720p / 480p


Set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth and his fugitive Daisy Domergue, race towards the town of Red Rock where Ruth, known in these parts as "The Hangman," will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren, a black former union soldier turned infamous bounty hunter, and Chris Mannix, a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob, who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray, the hangman of Red Rock, cow-puncher Joe Gage (Madsen), and Confederate General Sanford Smithers. As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all...


Rotten Tomatoes Critics - Certified Fresh 75%
Rotten Tomatoes Audience 76%
IMDb Rating 7.9


Jennifer Jason Leigh as Daisy Domergue
Kurt Russell as John Ruth
Samuel L. Jackson as Major Marquis Warren
Walton Goggins as Sheriff Chris Mannix

Movie Reviews

Reviewed by Viktor D 25th January, 2016

Half this film should've been left on the cutting room floor

This movie just goes to show what happens when a director is given totally free reign in terms of script and running time, purely on account of his name. Tarantino has always been a fan of long conversational sections in his movies, but where they were engaging, entertaining and scalpel-sharp in the likes of Reservoir Dogs, Pulp Fiction and Jackie Brown, here they are just interminably long, boring and dull...and THAT is unforgivable. For the first time EVER, my girlfriend actually fell asleep in the cinema watching this bore-fest of a film, and that was way before the interval arrived. Talking of which, there was an audible groan that went up from the audience when the interval sign turned up on the screen, and not because everyone was soooo enthralled ; more that everyone was just willing it to end. While we were kicking our heels during the interval, I overheard the guy behind me say, "this is clearly Tarantino's Phantom Menace", while another guy was heard to say, "hmmm, after an hour and half at least SOMETHING usually happens in a movie". After an intriguing first 15 mins, nothing (and I mean NOTHING) of any note happens for the remainder of the first half of the film. The dialog is also painfully predictable in places. More than once, a conversation would start and I knew how it would end within the first couple of seconds...and yet the characters on screen would take several minutes to get there. Truly painful stuff. The swearing, the liberal use of the "N" word, and the violence (when it eventually arrives after hours of plodding and highly unrealistic chit-chat), are not the problem with this film in my opinion. After all, this is a Tarantino movie which (while coming across as all rather juvenile), is designed for adults, so adult language and themes should surprise absolutely no-one. The problem is purely the fact that it's just too bloody long for such a threadbare plot! If this movie came in at somewhere between 1.5 and 2 hours, then it would've been OK (still not great, but OK), but at over 3 hours it's just a director's masturbation piece. It desperately needs a NON-Director's Cut to trim at least an hour out of the first half. There's a line in the movie where Samuel L Jackson's character says, "Let's slow this down. Let's slow it way down"... and at that point I physically curled my toes in my shoes, thinking please god, don't make this any slower! Watching this movie is an ordeal, almost as punishing as what the old General's son has to go through at the "business end" of Jackson's "Johnson"! Granted, the second half is a little more engaging, but unfortunately by that point the damage has already been done by forcing the audience to sit through the turgid load of garbage that comprises the first half. That said, the second half does feature an appearance by Zoe Bell who must have a fantastic chance of being crowned 'The Least Convincing Actress Ever To Grace The Silver Screen'! She is a truly atrocious performer, who's apparently picked up no additional acting skills since her abysmal showing in the marginally better Death Proof. If grinning inanely and reading a few lines like a child in a school play is "acting" then sign me up for an Oscar please. By the way, how the hell did this thing cost $62m to make? Apart from a few outdoor scenes, the whole thing takes place in one room in a log cabin! So much for making the most out of the much vaunted 70mm format which is perfect for grand landscape vistas...and entirely wasted on indoor scenes. In many ways this film comes across as all rather childish. Here Tarantino seems like a first-year film school student who's been given a camera (and a 70mm one at that), free reign to use some "fruity" language in an attempt to shock those of a sensitive disposition, and the keys to the fake-blood cupboard. I'm almost surprised he didn't try to shoehorn a couple of naked women into the movie as well... In short, this is by far and away the worst movie Tarantino has ever made, and if it hadn't been made by him it would have a rating far lower than 8/10 on here. (In fact, after seeing page after page of 1 and 2 star ratings, I'm completely at a loss as to where the (current) 8/10 rating comes from!?). All I can say is if you INSIST on seeing this plodding mess, wait until it comes out on Blu-Ray and watch it in the comfort of your own home over the course of, say, three or four evenings with several espressos. If you're really lucky you may be able to stay awake through the whole lot if you watch it like that. Otherwise....sweet dreams.

Reviewed by realtab 31st December, 2015

Don't believe the 1's and 2's or the 9's and 10's

The film is too well crafted to get the really low scores, the cinematography is too good, the acting too high caliber, the direction too solid, the score too nice, and the flick too engaging for such ratings. This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening. I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q. A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.

Reviewed by tcrescenzo-08409 31st December, 2015

Everyone seems to be missing the point

If your willing to jump on the bandwagon and avoid this movie just because a couple of thin skinned reviewers are complaining about all the blood and all the "n-words", then you might as well just shovel your money into Disney's pockets and see star wars because that's the movie for you. This is the first real piece of cinema that has come to the theaters this year; with all the audacity, the balls, and the fearless will to show anything on screen that real filmmakers are brave enough to commit themselves to. If all these negative reviewers would just look past the blood and the guts, they would find a truly masterful piece of cinematic art that reflects both the expertise and effort that went into making it. The storyline is a simple one, but it's told in a complex, interesting, and relatively unique way that is guaranteed to keep your eyes glued to the screen throughout the entire 3 hour run time of the movie. Tarantino's direction is unparalleled as usual, and the performance of the entire cast combined with the wonderful cinematography and deeply engaging dialogue make for a remarkably fun time at the theater, if your willing to sit through a lot of grisly violence and mean spirited subject matter. And although many people are complaining about the heavy political undertones of the film's storyline, to me that is one of the main components of this film that stands out the most. The plot of this film serves not only as a compelling metaphor for the racial tension amongst the American people immediately following the civil war, but actually manages to outline the visceral anger and unpredictability of the racial tension that the American people are facing today within society. In a world hell bent on purporting sensitivity and being politically correct, it's nice to see a movie that's willing to raise a middle finger to that social stigma so as to hold a mirror to the racial confrontations that are still plaguing the American people to this very day. Obviously this film is undoubtedly the most sick, twisted, and violent of Tarantino's filmography, and I'm willing to admit that it's not for everybody, but for those of you willing to toughen up, keep your trigger happy insecurities in check, and enjoy a mean, gritty, and badass film that offers no apologies for what it does best I highly recommend this film. And for those of you who are willing to let Tarantino's comments about the police force get in the way of your enjoyment of this film, like I said; Disney is more than willing to take your hard earned money.

Reviewed by vaivhav 30th December, 2015

Go for it. Ignore the haters. Tarantino entertainment to the core!

This is a short review I am forced to write after noticing the critics and the haters. Hateful Eight is another Tarantino masterpiece. It may be similar to his previous movies, but great directors don't come often and in a single life they can make only so many films. Now if Tarantino decides to make another 'Tanrantino' western with all the fine work thrown in as in his other films, I am no one no complain. This guy is a legend and I am privileged to see the handful of movies he will make in his lifetime. Even if he makes similar movies a dozen times, I would still watch it, cause this guy knows filmmaking at its finest. Hateful Eight is a blizzard of fine acting, fine dialogue, humor, darkness, snow and that incredible eye for perfection and storytelling. Go damn watch it and be prepared to be a told a western story Tarantino style.

Reviewed by gogoschka-1 26th December, 2015

A stage play of a

OK - if you've already seen the movie and hated it, my review won't change your mind, so move along folks, move along, there's nothing to see for you here, thanks. Now for you, dear film fan, who is about to watch 'The Hateful Eight', but who is now slightly worried because of some very mixed critical reactions - for YOU I'm writing this 100% spoiler-free review. Judging from many comments here on IMDb and other forums, I gather that many long-time Tarantino fans apparently don't like his newest film. I had feared such a reaction as soon as I had finished watching the movie. It's obviously Tarantino's least accessible effort yet, and there's a number of reasons for that, not the least of which being that this is simply not the film most people expected (or felt they were promised). So if you haven't seen it yet and you're a bit doubtful because of the negative reviews, let me tell you: you'll likely end up loving it - as I did - IF you prepare yourself juuuust a little. And because I really liked the movie, I would like to help you do that via a short list of recommendations. Ready? Here it goes: 1. Don't go watch 'The Hateful Eight' expecting a "classic" Western. It might belong to the Western genre, but if all that talk about Ultra 70mm Panavision had you thinking of lush outdoor scenery, vast landscapes or anything resembling a Sergio Leone movie, you'll end up disappointed. There are a few nice shots showing snowy mountains, but 95% (perhaps more) of the story unfolds indoors (in one single room) - which isn't to say that the cinematography isn't absolutely fantastic. In fact, it's more than fantastic: it's stunning and worthy of an Oscar. 2. Don't expect any exciting "action" scenes (for lack of a better word: I don't mean the 'Fast & Furious' kind of action scenes) every 10 minutes or so; in fact, don't expect anything other to happen between the characters than dialog for a loooooong time. Unlike in Tarantino's previous films where we got almost "spoiled" by unexpected over-the-top moments in nearly every scene (except maybe for 'Jackie Brown' and 'Deathprooof'), this film has a very, very slow build. But: that's not to say it ISN'T exciting (or that nothing does happen) - it's just that the excitement and tension result mainly from the dialog and the excellent performances by the cast (at least for roughly two thirds of the movie). 3. Best approach this film as you would theater; for that's what 'The Hateful Eight' really is: a stage play disguised as a movie. A stage play of a "Who-Done-It" murder mystery with a touch of Agatha Christie. But then again, that's also a disguise, for the murder mystery is just a ploy to cast a look at a torn society rife with racial tension after the civil war. Which, of course, again serves as an allegory for racial relations in modern-day America and as the director's angry commentary on how hateful that situation still is today, on all sides. Now that sounds awfully serious, but don't worry; despite some hard-to-stomach ugliness and the highly political undercurrent, there is plenty of Tarantino's trademark humor throughout the whole film. 4. Don't expect to find a likable character you can root for. There's a reason for the film's title, and unlike in all his previous films, there is not a single person in Tarantino's latest movie you'll feel any real sympathy for. All the main characters have committed despicable, hateful acts, and they're all beyond redemption - but that doesn't mean they're not compelling to watch (especially given THIS cast: everyone is fantastic, but Jackson, Russell, Jason Leigh and Goggins are just a joy to watch). 5. Don't expect a complex plot. In my opinion, among Q.T's films this is the one with the most straight forward and most simple plot to date, yet at the same time it's arguably his most complex - and most ambitious - film. So, dear film fan, that's it: adhere to these here 5 "commandments", and there's a big chance you'll end up loving Mr. Banana Chin's latest oeuvre as much as I did (mind; you might love the film just as much without taking any of the above advice). I admit, it took me a while to get into this dialog-heavy stage play and would-be Western, but once I did, I never looked back (and I can hardly wait to watch it again). 9 stars out of 10. P.S. (for new IMDb users): If you want to get a better reference whether this review might be valid for you or not, just click on my user name and you'll see what kind of films I like.